A scene from Dracula where the count is summoning his bride for a night of feasting. The challenge in completing this piece was the design and painting of the stained glass.
Kit Maker: Janus
When the film finally premiered at the Roxy Theatre in New York on Feb. 12, 1931, newspapers reported that members of the audiences fainted in shock at the horror on screen. This publicity, shrewdly orchestrated by the film studio, helped ensure people came to see the film, if for no other reason than curiosity. Dracula was a big gamble for a major Hollywood studio to undertake. In spite of the literary credentials of the source material, it was uncertain if an American audience was prepared for a serious full length supernatural chiller. Though America had been exposed to other chillers before, such as The Cat and the Canary (1927), this was a horror story with no comic relief or trick ending that downplayed the supernatural.
Nervous executives breathed a collective sigh of relief when Dracula proved to be a huge box office sensation. Within 48 hours of its opening at New York’s Roxy Theatre, it had sold 50,000 tickets. Later in 1931, Universal would release Frankenstein to even greater acclaim. Universal in particular would become the forefront of early horror cinema, with a canon of films including, The Mummy (1932), The Invisible Man (1933), Bride of Frankenstein (1935) and The Wolf Man (1941).